{"title":"New Vinyl Releases","description":"\u003cp\u003eWeek of April 3, 2026\u003c\/p\u003e","products":[{"product_id":"pre-order-jackie-mittoo-in-cold-blood-rsd-essentials-red","title":"Jackie Mittoo - In Cold Blood [RSD Essentials Red]","description":"\u003cp\u003eOriginally released in 1978, ‘In Cold Blood’ showcases the Keyboard King with a killer selection of riddims provided by the Aggrovators. ‘In Cold Blood’ captures the Bunny Lee supreme team at the height of their revolutionary powers, all tracks feature Sly \u0026amp; Robbie, Tommy McCook, and Bobby Ellis superbly blending with Jackie Mittoo and Winston Wright’s mighty organ workouts. Mittoo’s contribution to reggae music is inestimable, both as a musician and arranger; he created innumerable bass lines, melodies and arrangements that have driven the music for decades. The album features the hits 'Sky Jack King’ and ‘Earthquake', a long-unavailable classic set produced by Bunny Lee and mixed by King Tubby. 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Cedric Myton, Watty Burnett, and Roy Johnson struck out on their own to produce Image of Africa and Congo Ashanti, both released in 1979. Each album is remembered for a distinct studio sound, more mainstream than Scratch's hazy experiments and in line with the late 70s golden era. Standout tracks include \"Youth Man,\" \"Days Chasing Days,\" \"Hail The World Of Jah,\" and \"Thief Is In The Vineyard.\" Featured players include Ernest Ranglin, Sly \u0026amp; Robbie, Tommy McCook. The reissue features the images by acclaimed photographer Antoine Giacomoni. 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With the dream ‘not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right’, the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic, The Beat and many more…\u003c\/p\u003e\u003cp\u003e“I remember this gig well,” says Peter Gabriel. “We played a mix of old and brand-new material. I would normally be very nervous about playing some of this stuff for the first time, however my mind was very preoccupied with the running of our very first WOMAD festival and the potential financial disaster that it was heading towards.\u003c\/p\u003e\u003cp\u003eBecause WOMAD was unique in its focus on music and art from around the world, and mixing it with up with rock and jazz, no-one knew how many people might turn up and we had seriously overestimated our appeal. But those that had decided to check out WOMAD and its weird and wonderful lineup were open-minded, bold and curious - a great audience.\u003c\/p\u003e\u003cp\u003eIt was a landmark and edgy gig for me both personally and musically and brings back lots of memories.”\u003c\/p\u003e\u003cp\u003eAcross the three days ‘an evening concert series’ took place in the Showering Pavilion on the festival site. On the Friday night that concert featured Tian Jin (a song and dance troupe from China), Simple Minds and, with a ‘special festival set of non-album material’, Peter Gabriel.\u003c\/p\u003e\u003cp\u003eLive at WOMAD 1982 is a recording of that Friday night concert. The non-album material in question are seven of the eight songs that would make up the album Peter Gabriel 4. An album that wouldn’t be released for a further two months.\u003c\/p\u003e\u003cp\u003eOn-stage, Peter is joined by David Rhodes (guitar), John Giblin (bass), Larry Fast (synthesisers). Jerry Marotta (drums), Peter Hammill (guitar, vocals) and “the wonderful Bristol-based drum and dance group,” Ekomé (drums, percussion).\u003c\/p\u003e\u003cp\u003e“We wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.\u003c\/p\u003e\u003cp\u003eAt the beginning, most music industry professionals told us that we had no chance of making this dream work, we had all the wonderful naïve misguided optimism of the young, and were convinced that we would prove all the cynics wrong. 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Sailin' Shoes (1972) caught the band just as their legend was taking shape - a mix of sharp-witted storytelling and swampy grooves that defined early-'70s cool. From 'Willin' and 'Easy to Slip' to the swaggering title track, it's a master class in Southern California songwriting with a Louisiana twist. These songs defined Little Feat's legend as one of rock's most distinctive voices.This 45 RPM pressing, cut by Matthew Lutthans at The Mastering Lab from the original master tape, opens up the soundstage with wider grooves for superior tracking, lower distortion, and richer dynamics. Guitars shimmer, vocals breathe, and the rhythm section punches with warmth and clarity that only vinyl - at 45 RPM - can deliver. Pressed on ultra-quiet, perfectly flat 2LP by Quality Record Pressings, this timeless blend of storytelling from one of the most influential bands from the 70's Warner catalog, sounds magnificent.Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!Mastered by Matthew Lutthans at The Mastering Lab from the original master tape180-gram 45 RPM double LP pressed at Quality Record PressingsHoused in a Stoughton Printing tip-on gatefold jacketTracklist:LP 1 Side A1. Easy To Slip2. Cold, Cold, Cold3. TroubleLP 1 Side B1. Tripe Face Boogie2. Willin'3. A Apolitical BluesLP 2 Side A1. Sailin' Shoes2. Teenage Nervous Breakdown3. Got No ShadowLP 2 Side B1. Cat Fever2. 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Every snare hit, every slide riff, every vocal inflection pops from the speakers with life and dimension.A cornerstone of '70s rock and funk, Dixie Chicken finally gets the deluxe, audiophile treatment it deserves.The album where Little Feat came into full bloom!Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!Mastered by Matthew Lutthans at The Mastering Lab from the original master tape180-gram 45 RPM double LP pressed at Quality Record PressingsHoused in a Stoughton Printing tip-on gatefold jacketTracklist:LP 1 Side A1. Dixie Chicken2. Two Trains3. Roll Um EasyLP 1 Side B1. On Your Way Down2. Kiss It OffLP 2 Side A1. Fool Yourself2. Walkin' All Night3. Fat Man In The BathtubLP 2 Side B1. Juliette2. 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In his recitative mode, vocalist Curse is even reminiscent of electro poet Anne Clark - after a steady diet of prescription drugs and rusty nails. Another sonic pillar on which \"Stack Overflow in Corpse Pile Interface\" stands, is the violin of Katheryne aka Queen of the Ghosts. Her melodies time and time again build beautiful bridges over the dissonant churning of electric guitars as the latter gloriously luxuriate in the chaos they create. On the harsh side of their unique sound, A Forest of Stars make use of the full spectrum that both classic heavy and black metal have to offer - with deadly and progressive moments meticulously slotted into all the right places. Connoisseurs of the black arts will not fail to notice that the collective from Leeds beg to differ from traditional Norse berserkir in the wake of MAYHEM, as well as contemporary compatriots such as WINTERFYLLETH. A Forest of Stars have used their temporary hiatus well to craft a collection of excellent songs. 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