{"title":"New Releases","description":"\u003cp\u003eWeek of March 20, 2026\u003c\/p\u003e","products":[{"product_id":"pre-order-black-myth-wukong-o-s-t-colv-post-wb-black-myth-wukong-o-s-t-colored-vinyl-post-with-booklet","title":"Black Myth: Wukong - O.S.T. (Colv) (Post) (Wb) - Black Myth: Wukong - O.S.T. 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The massive posse cut \"Red Or Blue\" assembles an impressive roster of West Coast talent including Breeze, C.O.C., Freddie Demarco, Glasses Malone, King Tee, M Dot Taylor, and Young Ham. \"This project represents raw, unfiltered hip-hop,\" says a representative from the label. \"Marc Live's production provides the perfect foundation for these artists to showcase their craft.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoons and Goblins (Marc Live Mix)\u003c\/li\u003e\n\u003cli\u003eFeds in My Rearview (Marc Live Mix)\u003c\/li\u003e\n\u003cli\u003eRed or Blue (Feat. 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In 2013, John Speight wrote his Soliloquy (track 7 and 8) at my request. Two more recent commissions are on the album, both from composers who play the violin: Fragile Stillness by Lilja Maria asmundsdottir and Aria by Maria Huld Markan. Iceland has a long tradition of violin playing and according to folklore every farmer in certain valleys up north was a fiddler. Ea Fantasia (track 4), my own composition, is inspired by the opening track Alia Fantasia by Nicola Matteis Jr. He was the London-born son of the Italian composer Nicola Matteis, who wrote Ayers and Grounds. Nicola Junior was a violinist like his father and lived in Vienna, where he composed numerous ballets for the imperial opera. His bariolage (arpeggios over four strings) remind me of the opening of Fratres by Arvo Part and Bach's Chaconne-key works in the violin repertoire-both of which have been a great inspiration to me. In Fragile Stillness (track 2), Lilja Maria asmundsdottir experiments with textures. Or as she puts it: \"The piece is inspired by a weather condition called froststillur. It is characterized by an intense calmness where there is no wind and a crisp, frozen atmosphere.Karolina wrote Meditation (track 3) in 1996 for violinist Hlif Sigurjonsdottir, who premiered the piece in June 1997. Meditation is in one movement, built on ideas which change and develop, and the composer describes it as \"variations without a theme.Aria (track 5) by Maria Huld Markan was written for me in 2023. Her solo piece is written under the influence of Maria Callas and her romanticism and lontano as she sings Puccini. Maria is reflecting on the concept of the genius, and motifs are flowing from all the fountains contemplating the romantic violin repertoire. On his Adagio (track 6), composer Tryggvi Baldvinsson writes: \"This small Adagio can be seen as a short play in which three distinct characters appear. Each has it's own traits, it's own personality. The encounter between these characters is bound to have a profound and lasting impact on them. As for the actual course of events, I leave that entirely to the listener's imagination. The piece was composed for Rut Ingolfsdottir, who premiered it in 1997.John Speight is an English-Icelandic singer and composer I got to know through working with the Reykjavik Chamber Orchestra, playing and recording his works. He wrote Soliloquy (track 7 and 8) in 2012 and it is the only piece on the album in two movements. The first movement is slow and thoughtful, while the second is crazy and furious. Tranquility (track 10) by Sveinn Ludvik Bjornsson is possibly the shortest piece I have ever played. The story of it is longer than the piece itself-and too good to omit. Sveinn Ludvik, who is visually impaired, was renting a studio in an old banana storage in Brautarholt, Reykjavik. To enter his studio he had to walk through the studio of artist Helgi Valgeirsson. Above the door there was a painting by Helgi which inspired Sveinn Ludvik deeply; he had the sense it was very somber in it's mood-a naked woman with her back turned. Moved by the scene he wrote Tranquility. Later, when discussing the piece with Helgi and admiring the tragic impact of the naked woman in the picture, Sveinn was shocked to discover that the painting, in fact, was of bananas and oranges.Veronique Vaka Jacques, a Canadian-Icelandic composer and trained classical cellist, grounds her work in the geology and topography of Iceland. In Ofdune (track 9), a map of North Iceland serves as groundwork, with the geographical details of a descending river abstractly translated into the work's time progression, using the river's path through hills and valleys as a loose blueprint. 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Rex [Live from STABAL], 17.Punk Boy [Live from STABAL], 18.Silver Surfer [Live from STABAL]\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVinyl version: \u003c\/strong\u003eThe 2LP set pairs the original album with a specially curated collection of B-sides, showcasing the depth and creativity surrounding the 1977 era. Highlights include “Day Of The Triffids,” “Luther Ingo’s Star Cruiser,” “Astra Conversations with Toulouse Lautrec,” “Cantina Band,” “5am Eternal,” “Gimme Some Truth,” “Sneaker,” “T Rex,” and more – essential tracks that cemented Ash’s reputation as one of the most exciting bands of their time. 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Rex [Live from STABAL], 17.Punk Boy [Live from STABAL], 18.Silver Surfer [Live from STABAL]\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVinyl version: \u003c\/strong\u003eThe 2LP set pairs the original album with a specially curated collection of B-sides, showcasing the depth and creativity surrounding the 1977 era. Highlights include “Day Of The Triffids,” “Luther Ingo’s Star Cruiser,” “Astra Conversations with Toulouse Lautrec,” “Cantina Band,” “5am Eternal,” “Gimme Some Truth,” “Sneaker,” “T Rex,” and more – essential tracks that cemented Ash’s reputation as one of the most exciting bands of their time. 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The Omaha-based singer-songwriter began releasing music in the early '90s and has walked an unbroken line ever since. Joyner's songs of quiet joy and heartache have impacted different generations of fellow artists, showing up as overt influence in acts like Bright Eyes or Kevin Morby, and as flickers of shared perspectives in the Lenkers, Oldhams, and Molinas that followed. Tough Love, Joyner's 19th studio album, continues this upward trend. While intrinsically linked to the personal grief of 2024's Coyote Butterfly, the autobiographical album Joyner made in the wake of his son's death, this new album explores the concept of tough love as a dichotomy applied to various fictional relationships including romantic, familial, and political. This balancing act comes through in vivid portrayals of everyday heartache and in the exploration of political rage and the betrayals of the American Dream.One of the marvels of Joyner's catalog is how his patterns don't repeat but transform. Knowing nods to Cohen, Dylan, and the Velvets have been part of his songwriting since the early lo-fi days, but the ways these touchstones get infused keep changing. While Joyner's ragged acoustic songs are in the spotlight, they're prodded by electric guitars and imbued with experimental tendencies. Rock songs split the difference between minimal grooves learned from Loaded-era Velvet Underground and the ecstatic rhythmic weirdness of Can. By the time we arrive at the penultimate track, \"Anniversary Song,\" the ghost vocals and scratches of microtonal synth have blurred the lines between Joyner's folk singer heart and his avant garde spirit. All of this leads to the 20-minute title track which closes Tough Love, an eviscerating plunge into a seemingly bottomless pit of regret, survivor's guilt, and unvarnished grief. Borrowing a repetitious structure from Lou Reed's narrated suite, \"Street Hassle,\" and combined with the full-side testimonial of Dylan's \"Sad-eyed Lady of the Lowlands,\" Joyner narrates from the perspective of his departed son speaking to his father and laying out his every failure and brutally highlighting how none of it can be undone. Soon, though, this agony opens up into something transcendent, in both it's elegant imagery and ethereal atmospherics. The final moments of the album grant permission for self-forgiveness and hopefully someday, understanding. 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On the original record, Toledo used the name \"Joe\" as a stand-in for himself. Revisiting Teens in the run-up to it's 10th year, he felt compelled to give Joe a backstory and began tweaking the album to tell that tale. \"The resulting work feels more like the album Teens of Denial was meant to be,\" Will Toledo writes in a new message to fans. \"When you're writing from a dark space, it's hard to have perspective on where you're at. This time, I could pull from memories of that darkness, and use the distance and additional perspective of ten years of life to shed a fuller light on the experience. Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. We've known that \"it doesn't have to be like this\"; now we can wonder - \"'what it if were like this?'\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFill In The Blank\u003c\/li\u003e\n\u003cli\u003eVincent\u003c\/li\u003e\n\u003cli\u003eDestroyed By Hippie Powers\u003c\/li\u003e\n\u003cli\u003e(Joe Gets Kicked Out of School for Using) Drugs With Friends (B.\u003c\/li\u003e\n\u003cli\u003eOptimistic Son\u003c\/li\u003e\n\u003cli\u003eDrunk Drivers\u003c\/li\u003e\n\u003cli\u003eKiller Whales\u003c\/li\u003e\n\u003cli\u003eState Park\u003c\/li\u003e\n\u003cli\u003eJoe Drives Again\u003c\/li\u003e\n\u003cli\u003eCosmic Hero\u003c\/li\u003e\n\u003cli\u003eThe Ravenous House\u003c\/li\u003e\n\u003cli\u003eConnect the Dots (Song of Secretariat)\u003c\/li\u003e\n\u003cli\u003eJoe Goes to School\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401224710\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Matador Records","offers":[{"title":"Default Title","offer_id":48823595270401,"sku":"191401224710","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/9063\/4497\/files\/4515679-3598244.jpg?v=1779302681"},{"product_id":"pre-order-car-seat-headrest-teen-of-denial-joes-story-cd","title":"Car Seat Headrest - Teen Of Denial: Joe's Story [CD]","description":"\u003cp\u003eAvailable as a gatefold 2xLP \/ CD with new artwork on October 16th: Car Seat Headrest's Will Toledo re-imagines the band's breakout on Teen of Denial: Joe's Story. On the original record, Toledo used the name \"Joe\" as a stand-in for himself. Revisiting Teens in the run-up to it's 10th year, he felt compelled to give Joe a backstory and began tweaking the album to tell that tale. \"The resulting work feels more like the album Teens of Denial was meant to be,\" Will Toledo writes in a new message to fans. \"When you're writing from a dark space, it's hard to have perspective on where you're at. This time, I could pull from memories of that darkness, and use the distance and additional perspective of ten years of life to shed a fuller light on the experience. Joe is a character going through some of what I experienced, and some of his own problems.\"Early this year, the group returned to the studio with producer Steve Fisk to update accordingly -tweaking lyrics and recording new tunes in the \"Denial-style,\" including the optimistic and anthemic \"Joe Drives Again.\" The result retains Teens's dark edge and youthful cynicism, but promises a bit of light at the end of the tunnel. Toledo writes, \"I'm so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. We've known that \"it doesn't have to be like this\"; now we can wonder - \"'what it if were like this?'\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFill In The Blank\u003c\/li\u003e\n\u003cli\u003eVincent\u003c\/li\u003e\n\u003cli\u003eDestroyed By Hippie Powers\u003c\/li\u003e\n\u003cli\u003e(Joe Gets Kicked Out of School for Using) Drugs With Friends (B.\u003c\/li\u003e\n\u003cli\u003eOptimistic Son\u003c\/li\u003e\n\u003cli\u003eDrunk Drivers\u003c\/li\u003e\n\u003cli\u003eKiller Whales\u003c\/li\u003e\n\u003cli\u003eState Park\u003c\/li\u003e\n\u003cli\u003eJoe Drives Again\u003c\/li\u003e\n\u003cli\u003eCosmic Hero\u003c\/li\u003e\n\u003cli\u003eThe Ravenous House\u003c\/li\u003e\n\u003cli\u003eConnect the Dots (Song of Secretariat)\u003c\/li\u003e\n\u003cli\u003eJoe Goes to School\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191401224727\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Matador Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Matador Records","offers":[{"title":"Default Title","offer_id":48823595729153,"sku":"191401224727","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/9063\/4497\/files\/4515680-3598246.jpg?v=1779302683"},{"product_id":"pre-order-kingdom-collapse-survivor-lp","title":"Kingdom Collapse - Survivor [LP]","description":"\u003cp\u003eKingdom Collapse create the soundtrack to survival. The San Antonio, TX hard rock band alchemizes unfathomable tragedy, trauma, and loss into massive and magnetic anthems powered by pummeling instrumentation and arena-size hooks that remind you to never give up.The band originated out of the childhood friendship between vocalist Jonathan Norris and bassist Aaron Smith, who grew up together, found music around the same time, and recognized it's power after Jonathan endured the loss of his father at eight-years-old.In order to cope, he immediately retreated into music and the embrace of a small community - which included Aaron's family. This was the turning point where both boys realized the power of friendship, the power of music, and their potential together.Jonathan and Aaron each made the rounds in local bands and even collaborated a few times on short-lived projects. When they finally joined forces in Kingdom Collapse, it was as if everything they'd gone through as friends prepared them to make a statement together. 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The classic road -trip dream of freedom fades into bewildered loneliness and remorse, yet fragile hopesof spring and new generations glimmer. 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As guitarist, songwriter, producer and engineer - not just for the iconic Stax record label but on a forest of sessions and solo releases - the Tennessee soul man was the DNA that coursed through the post-war era. Little did we know this towering figure had one last ace to play in his lifetime, with Watching The Tide gathering A-list names including Eric Clapton, Brian May, Ronnie Wood and Billy Gibbons for 12 brand-new songs that Cropper ranked amongst the best of his career. \"I know this record provided great joy to Steve in the last year of his life,\" says project leader Jon Tiven. \"And I'm so glad he was able to have one last great creative burst\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTandoori Chicken\u003c\/li\u003e\n\u003cli\u003eTicket First (Feat. Eric Clapton)\u003c\/li\u003e\n\u003cli\u003eMy Angels Are Calling (Feat. 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