For both Hamilton and Bowling, Lacuna marks a return to their classical roots. Bowling has been playing classical piano since she was 5 and trained at San Francisco State University. Hamilton began playing drums at 5 as well, later becoming the youngest member of Philadelphia’s All City High School Orchestra as a fourth grade percussionist and stayed in that role until he switched his focus to guitar in high school. On Lacuna, the pair embrace their classical past by putting a fresh, experimental spin on the genre. The title Lacuna came from one of the many books Bowling read during quarantine. She didn’t know what the word meant so she looked it up and found that the definition — a gap, an unfilled space, or an intentional, extended passage in a musical work during which no notes are played — perfectly encapsulated the pandemic era and the sounds the pair had made while living through it. It’s also appropriate, considering that Bowling and Hamilton are both renowned for the music they spontaneously create onstage, filling the gaps within composed songs. “I've felt more and more comfortable in those in-between spaces,” Bowling says. “That's really where I've been wanting to spend my time, and with this project, that's the entire thing.”