On 18 March 1860, Vienna witnessed a genuine political sensation at the second concert of Euterpe, a young orchestra society. The programme began with several pieces by Ernst II, Duke of Saxe-Coburg and Gotha, which were received with great applause for the composer, who was present. Equally successful was Fantasia symphonica on themes by Ernst II, for which the Kapellmeister of the Theater an der Wien was responsible - none other than Franz von Suppe, who had succeeded in weaving several themes by his blue-blooded "colleague" into a rousing, impressive symphony. Once again, Suppe's classical training had paid off. Although he achieved immortality as the composer of Die schone Galathee and, above all, Boccaccio, he made a significant contribution with a number of serious works (such as the Requiem cpo 777 842-2). The "symphonic fantasy" is paired with Twelve Spanish Dances, a spirited collection of delightful miniatures from which the famous Jota rears it's head time and again